A champion of the erotic: The history of Champion Studio, part II
Author’s note: This is part two of a two-part series on the history of Champion Studio and its founder, Walter Kundzicz.
1 min read
While we are constantly cataloguing slides and photos at the Bob Mizer Foundation, the Foundation’s mission goes beyond just preserving his work. Part of the Foundation archives include the artifacts of Mizer and his fellow physique photographers. We’ve found that some of the most interesting parts of the collection are actually the tools of the trade: the cameras that captured the models.
Recently the Foundation was lucky to receive a gift of three vintage cameras belonging to Bob Mizer’s contemporaries: Lon of New York, Walter Kundzicz [Champion], and John Barrington of England. This gift from Reed Massengill joins many of Mizer’s cameras already in the collection. Unfortunately, some of Mizer’s cameras, like the 6 x 9 Linhof Monorail Kardan, is no longer extant (you can see this camera pictured in the recently released Physique Pictorial #43).
One day we will be able to display these beauties in all their analogue loveliness at the Foundation headquarters. Until then, we offer this sneak peek, photographed on film by volunteer archivist Kent Hall.
Photographer: Bob Mizer
Camera: Mamiya 16 Automatic
While Mizer never shot any of his famous physique photographs with this camera, he kept this c. 1959 subminiature camera in his personal collection.
Photographer: Rip Searby
Camera: Kodak Stereo Camera
Also from the late 1950s, Searby’s camera was used to capture physique models in 3-D by taking
two photos of the same subject on 35mm film.
Photographer: Bob Mizer
Camera: Kowa/SIX
This medium-format camera was used by Mizer
for his stunning color work in the 1970s. This hefty SLR shoots on 120 film.
Photographer: John Barrington
Camera: Rolleiflex SL66
British physique photographer John Barrington
used the venerable Rolleiflex SL66 for much
of his work. Like Mizer’s Kowa/SIX, it’s a
heavy duty SLR that shoots 120 film.
Photographer: Walter Kundzicz
Camera: Hasselblad 500c
The Hasselblad 500c was introduced in 1957 and
for many is synonymous with the medium-format SLR.
Photographer: Lon of New York
Camera: Mamiya C330
Lon Hanagan’s twin lens reflex Mamiya
would have been produced in the 1970s.
And that wraps up our peek into a few of cameras in the Bob Mizer Foundation’s archive. We’ll be featuring more equipment from Mizer and his contemporaries as they are processed into the Permanent Collection.
The daring double life of John Barrington
The work of one of Britain’s most accomplished male physique photographers preceded Bob Mizer by nearly a decade, forever changing the art of...
Beefcake From Across the Pond, Part III: From Muscle & Fitness to Barrington's Boys
Author’s note: This is the third in a three-part series on the history of physique culture in Great Britain. Look for a separate profile of British...
To All the Boys We've Loved Before: Foundation staff members discuss their favorite models
The difference between a mere appreciation of a Bob Mizer model and one that catches your eye every time you see him splashed across a page is all in...